By Giorgi Nodia (auth.), Anna-Teresa Tymieniecka (eds.)
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Attractiveness fulfils human life. because it registers in our aesthetic adventure, good looks complements nature’s appeal round us and our inward event lifting our soul towards ethical elevation. This choice of art-explorations seeks the basic ties of the Human . It endeavors to provide an explanation for the relation of attractiveness and human life, and explores a number of the features of attractiveness.
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Extra resources for Man within His Life-World: Contributions to Phenomenology by Scholars from East-Central Europe
As was pointed out by M. K. ), on the other, serve as a basis for an understanding of these phenomena of consciousness. 46 What ways of resolving this problem does Conrad-Martius propose? She supports Goethe's critique of the claim put forward by physicalmathematical natural science that it presents an exhaustive explanation of reality. Goethe's attempt to reflect in his world picture man's specific place in it impresses Conrad-Martius. Continuing and developing this attempt, she expounds the specific peculiarity of phenomenological ontology as follows: "When the phenomenologist poses the question of the general essence of strength ...
The modern scientific-philosophical thought that was oriented towards natural science strove to free itself from the predominance of visual concepts, pitting against them laws of reality expressed in mathematical formulas devoid of visual expression. " Hence Goethe's strictly negative attitude toward a mathematization of natural science. "Physics must be expounded separately from mathematics. , acoustics and optics two strongholds, whose destruction would cause the collapse of the whole of mechanistic physics.
Just as color cannot be seen without light, so sense does not exist without the "light" which is radiated in a concrete cultural and historical situation, enabling the understanding and actualization of sense. If there is no subject, there is no sense, only the potentiality contained in objects of culture. What is a book without a subject reading it? It is paper, printing ink, cover which are, by the way, the result of previous human activity. What is a picture without a man to admire it? Cloth, oil-colors, and a frame.