Modern Orthodoxies: Judaic Imaginative Journeys of the by Lisa Mulman

By Lisa Mulman

This learn introduces a real, provocative spiritual vocabulary into the discourse on Modernist artwork and literature. Mulman seems to be at key texts and figures of the fashionable interval, together with Henry Roth, Amedeo Modigliani, James Joyce, and paintings Spiegelman, revealing an important engagement with the rituals of Jewish observance and the constitution of Talmudic interpretation. whereas critics frequently view the formal experimentation of excessive Modernism as an intensive departure from traditional ideals, this e-book indicates that those points of Modernist paintings are deeply entwined with, and indebted to, the very traditions that they declare to be writing opposed to. As such, the e-book bargains a distinct and actually multidisciplinary method of Modernist reports and a cogent research of the ways that spirituality informs creative production.

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Extra resources for Modern Orthodoxies: Judaic Imaginative Journeys of the Twentieth Century (Routledge Interdisciplinary Perspectives on Literature)

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12 The suffocating, self-dissolving atmosphere of mass chaos that Canetti describes as so pivotal to his work mirrors quite perfectly the equally 26 Modern Orthodoxies frightening final scene of The Day of the Locust. This is the moment in the text that inspires the completion of Tod Hackett’s masterpiece of artistic invention, a giant mural entitled The Burning of Los Angeles. As Tod is being pushed and shoved along by the crowd he imaginatively fills his canvas: As he stood on his good leg, clinging desperately to the iron rail, he could see all the rough charcoal strokes with which he had blocked out the big canvas.

The return to the mother is thus complicated by the dual threat of the seductive A Pious Translation 19 telephone poles and David’s own inability to articulate his attachment to her. Roth sets the scene for this reading much earlier in the novel, when he exposes the anxiety over speech through the depiction of a childhood game gone awry. Restlessly hanging around the local barbershop, David’s friend Sidney, following the spiral of the barber-pole, peers into the window of the shop and taunts the barber: The rest squealed the words as he had done, but with increasing haste and diminishing lustiness and sped after him.

I additionally want to assert here some fascinating convergences of authorial biography and fictional creation. I do so at the risk of confounding literary, historical, and psychological discourses. 10 To wit, in The Torch in My Ear, Canetti’s autobiography, he describes “the most crucial day” in his life. On that day he was enveloped by and “dissolved” into a crowd of irate workers who burned down Vienna’s Palace of Justice in protest over a controversial verdict. In that experience, he “found both theme and image for life’s work .

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