Modernism and Theory: A Critical Debate by Stephen Ross

By Stephen Ross

Modernism and Theory boldly asks what – if any – position conception has to play within the new modernist stories. Separated into 3 sections, every one with a transparent creation, this choice of new essays from top critics outlines ongoing debates at the nature of modernist culture.

This assortment

  • examines aesthetic and methodological hyperlinks among modernist literature and theory.
  • addresses questions of the significance of idea to our realizing of ‘modernism’ and modernism as a literary category.
  • considers intersections of modernism and thought inside of ethics, ecocriticism and the avant-garde.

Concluding with an afterword from Fredric Jameson, the e-book uses an cutting edge dialogic layout, supplying an immediate and interesting adventure of the present debate in modernist reviews.

Contributors contain: Charles F. Altieri, C.D. Blanton, Ian Buchanan, Pamela Caughie, Melba Cuddy-Keane, Thomas S. Davis, Oleg Gelikman, Jane Goldman, Ben Highmore, Fredric Jameson, Martin Jay, Bonnie Kime Scott, Neil Levi, Anneleen Masschelein, Scott McCracken, Andrew John Miller, Stephen Ross, Roger Rothman, Morag Shiach, Susan Stanford Friedman, Allan Stoekl, Hilary Thompson and Glenn Willmott.

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Additional resources for Modernism and Theory: A Critical Debate

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Dosse reports Lawrence’s Eros et les chiens (he mistakenly cites Les Chiens d’Eros) and Joyce’s Ulysses were on Guattari’s desk when he died unexpectedly in 1992 (Dosse 2007:585). ” See also Gelas and Micolet 2007:8, 259–65, 340–1. Within Lawrence studies the relation between the two is equally underexamined. Fiona Becket pays attention to the influence of Lawrence’s unconscious essays on Anti-Oedipus. Beatrice Monaco’s Deleuzian reading of Women in Love offers very few new insights. 4 This essay focuses mainly on the work written by Deleuze and Guattari, among which I also count What is Philosophy?

It is a question of speed, even if the movement is in its place. (Deleuze and Guattari 2004 [1988]: 207) The movement of the line of flight is not directed towards a goal. It is a vibration as well as an oscillating movement, a rotation. Rather than ending, the line of flight becomes something else while remaining in the same place. Finally, in the Dialogues, Deleuze relates the line of flight to writing. A writer does not arrive; he disappears as a subject in a process of becoming someone or something else while remaining essentially himself.

Order is created by laying out specific planes onto the chaos, by mapping and thus converting wild chaos into territory. However, the three disciplines differ fundamentally in their way of mapping, the kind of planes they lay out. Thus, different forms of thought are created from chaos, the raw material of thinking, by different types of agents. In the book, Deleuze and Guattari unpack the three-fold distinction in a series of characterizations of the three domains. html6/20/2010 6:00:26 PM page_32 next page > page_33 < previous page page_33 next page > Page 33 Although philosophy is not tangible, it is—like the prephilosophical plane of chaos—always of this world.

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